The Cozio Carteggio

The Cozio Carteggio takes its name from Count Cozio’s notebooks, which form the first historical record of fine instruments and their makers. Each week, the Carteggio publishes features about the string world, from expert commentary on historic instruments and bows, to interviews with musicians and analysis of the string market. Contributors include Carlo Chiesa, John Dilworth, Philip J. Kass, Dmitry Gindin, Pierre Guillaume, Paul Childs, Alessandra Barabaschi and many other experts.

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Latest Feature

Eugène Ysaÿe and his violins

The Belgian virtuoso, who left a bag of jewels owned by a friend as security for a Guadagnini and persuaded one of his pupils to sell him a beloved Guarneri ‘del Gesù’, certainly knew how to get the violins that he wanted

By Tully Potter

As the greatest champion of the Franco-Belgian school at the end of the 19th century and the beginning of the 20th, Eugène Ysaÿe played an array of suitably fine instruments. He managed to start his solo career on an excellent 1754 violin by G.B. Guadagnini, which he loved very much. The story of how he acquired it has no doubt been romanticized over the years, but here it is...


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