Daniel Müller-Schott, Matteo Goffriller c. 1727
Daniel Müller Schott talks about his 1727 Goffriller cello and his love for Venetian instruments
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Late period Stradivari cellos, part 2: the ‘Vaslin Composite’
Julian HershWhen a cello built on the ‘forma B piccola’ model fell into the hands of John Lott, the result was two ‘Stradivari’ cellos – one of which is known today as the ‘Vaslin Composite’. How does it compare with other late Stradivari instruments?
Late period Stradivari cellos, part 1: the ‘Bein, Fruh’
Julian HershThe ‘Bein, Fruh’ is a fine example of the shorter model cello produced by the Stradivari workshop after 1726
François-Louis Pique, part 2
Sylvette MilliotPique’s mature work shows how he adapted his style to satisfy the new craze for Stradivari instruments in Paris
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