Mark Dearlove

---

Mark Dearlove worked in Leeds from 1808 to 1849. He employed Thomas Absam, John Gough, and John Fryer at different times. He was probably apprenticed to his brother-in-law or uncle, Joseph Chippendale, as a cabinet maker in Ripley before he began making violins. Most contemporary documents described him as a 'music seller, ' a term also used for many English makers, which has led to speculation that ...Read More he may not have been a maker but rather a dealer in others' work. However, his connection with Chippendale and the consistent style of his creations provide strong evidence in his favor. He established himself in Leeds at various addresses, or variations of the same address, starting in 1809: 18 Bridge in 1814, 4 Rayson's Yard, Briggate in 1817, and 4 Boar Lane from 1822 to 1826. After his death in 1820, the workshop was continued by Mary Dearlove, as both his wife and daughter shared this name. His son Mark William took over around 1830. He was best known for cellos of a useful small pattern. The materials appeared to be of local growth sycamore, with backs lacking a deep figure and pine fronts instead of imported spruce. His instruments featured boxwood or similar purfling, small scrolls, and upright soundholes, resembling Tyrolean styles. They had a pleasant yellow-ochre varnish. He branded his work as 'Dearlove, Leeds' or 'Dearlove, maker, Leeds. ' A manuscript label read: Mark Dearlove, Boar Lane, Leeds. Read Less

---

View all auction prices for Mark Dearlove