An interview with Renaud Capuçon
“Of course, when I began to play the ‘Panette’, I knew it had previously been owned and played by Isaac Stern, and people weren’t shy of pointing that out! So at the beginning it was intimidating. In some ways you never forget the heritage beneath your chin: not just Stern but Panette himself, and before him Vuillaume. I have all the recordings, all the pictures; there is one with Pablo Casals smoking his cigar with this violin by his side. When I listen to Stern’s recordings, it instantly sounds like the ‘Panette’, even though our playing styles are completely different. What I recognize is the depth of the sound. The G string has an unusually human voice; the E string has an extraordinary purity. The tonal profile is so rounded and homogeneous: there are no sharp corners.”