Antonio Stradivari, Cremona, 1687, the 'Ole Bull'
Violin: 40239
Bearing its original label.
Back: of broad curl in one piece
Top: one-piece, with the grain widening towards the treble side
Length of back: 35.6 cm
Upper bouts: 16.95 cm
Middle bouts: 10.95 cm
Lower bouts: 20.95 cm
There are 16 additional images in the archive which are not available publicly. Please contact us for more information.
Notes:
"The 'Hellier' and the instrument known as the Spanish Stradivari, dated 1679 and 1687 respectively, have backs of broad curl in one piece; the latter is exceptionally handsome, and both are of wood of foreign (i.e. non-Italian, growth)." (p. 43)Antonio Stradivarius: His Life & Work, W. Henry, Arthur F. & Alfred E. Hill, W. Henry, Arthur F. & Alfred E. Hill, Antonio Stradivari: His Life & Work (1644-1737), London
According to Doring, this instrument is misnamed because it was not one of the ones made for the Spanish court. The name was given by Ole Bull, who mistakenly took it for one of the Spanish quintet.
How Many Strads?, Doring, Bein & Fushi, Doring, Bein & Fushi, How Many Strads? (1999 edition), Chicago
"[in 1883] the Hills sold the violin to Mr. Charles James Oldham of Brighton, who owned a superb quartet of Stradivari, which he bequeathed to the British Museum. In 1912 the British Museum, following public protests, refused the gift and the instrument returned to the Hills." – Alessandra Barabaschi
Antonius Stradivarius (Volumes I-IV), Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Antonius Stradivarius (Volumes I-IV), Cologne
Provenance
| Sold by Jacques Français | |
| 1844-1861 | Ole Bull |
| in 1861 | John Hart |
| 1861-1867 | Charles Hood Chichele Plowden |
| 1867-1883 | Joseph Hulse |
| in 1883 | Sold by W. E. Hill & Sons |
| in 1883 | Sold by Puttick & Simpson |
| 1883-1912 | Charles James Oldham |
| in 1912 | Sold by W. E. Hill & Sons |
| in 1912 | Paul Kochanski's father-in-law |
| 1912-1935 | Paul Kochanski |
| in 1935 | Sold by Rudolph Wurlitzer Co. |
| 1935-1950 | Samuel S. Fels |
| 1950-1951 | Iso Briselli |
| in 1951 | Sold by William Moennig & Son |
| from 1951 | Dr. Donald Haff |
| until 1981 | David Lloyd Kreeger |
| in 1981 | Sold by Jacques Français |
| 1981-1997 | Dr Herbert R. Axelrod |
| from 1997 | Smithsonian Institution Museum |
Known players
Iso Briselli, Ole Bull, Paul Kochanski
Certificates & Documents
Certificate: Jacques Français, New York, NY (1967)- Certificate: Rudolph Wurlitzer Co., Cincinnati, OH (1935)
- Letter: Alfred E. Hill, London (1926) To Paul Kochansky: "This violin was, at one time, known as 'The Spanish Stradivari,' but it is in no way connected with the set of instruments belonging to the court of Spain, which consisted of five 'Stradivaris', two violins, two violas, and a 'cello all ornamented in a way similar to yours. . . . It is possible that your violin may have been one of those made for the Marchese Carbonelli of Mantua: this is pure conjecture on my part, inasmuch as we have failed to trace any connection between this nobleman and violins, in our researches at Mantua."
- Certificate: W. E. Hill & Sons, London (1925)
Certificate: Jacques Français, New York, NY (1967)
Letter: Alfred E. Hill, London (1926) To Paul Kochansky: "This violin was, at one time, known as 'The Spanish Stradivari,' but it is in no way connected with the set of instruments belonging to the court of Spain, which consisted of five 'Stradivaris', two violins, two violas, and a 'cello all ornamented in a way similar to yours. . . . It is possible that your violin may have been one of those made for the Marchese Carbonelli of Mantua: this is pure conjecture on my part, inasmuch as we have failed to trace any connection between this nobleman and violins, in our researches at Mantua."Cozio holds copies of many certificates and other documents, some of which are available to view on request. Please contact us if you wish to view a particular document. (Note that we do not always have permission to share documents.)
References
Antonio Stradivari: l'estetica sublime, Maurizio Villa, Consorzio Liutai Antonio Stradivari, Cremona (illustrated)- Antonio Stradivari: His Life & Work (1644-1737), W. Henry, Arthur F. & Alfred E. Hill, William E. Hill & Sons, London, 1902
- Antonius Stradivarius (Volumes I-IV), Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Jost Thöne Verlag, Cologne, 2010 (illustrated)
- Evelyn & Herbert Axelrod Stringed Instrument Collection, Herbert Axelrod (illustrated)
- How Many Strads? (1999 edition), Doring, Bein & Fushi, Bein & Fushi, Chicago, 1999 (illustrated)
- Violins & Violinists, June, 1938, Ernest N. Doring, William Lewis & Son, Chicago (illustrated)
- Private Archives - 10746
- The 'Secrets' of Stradivari, Simone Fernando Sacconi, Eric Blot Edizioni, Cremona (illustrated)
- The Dr. Herbert Axelrod Stradivari Quartet, Jacques Français, New York (illustrated)
- The Jacques Français Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Smithsonian Institution, Washington, DC (illustrated)
- Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, NY (illustrated)
- The Violin: Its Famous Makers and their Imitators, George Hart, Dulau & Co., London (illustrated)
- We Love Stradivari, NHK (illustrated)
Antonio Stradivari: l'estetica sublime, Maurizio Villa, Consorzio Liutai Antonio Stradivari, Cremona (illustrated)
