Notes:

"This instrument has a very Amati-like form, combined with broad Stradivarian edges and corners, and a distinctly Bergonzi-like breadth across the upper bouts. The soundholes, leaning inward and with large, rounded nicks are typical however, and the most recognisable and consistent feature in his work in general is the scroll, not overworked, but nicely cut, with the compact volute standing slightly upright above the pegbox. The materials are of the finest quality, as is frequently the case with Venetian work, and the varnish is of the finest consistency and deep orange-red colour."

Brompton's Fine Musical Instruments Auction Catalog, March 5, 2012, London, Brompton's Fine Musical Instruments Auction Catalog, March 5, 2012, London, London

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Condition Report: "Scroll: Very minor cracks in peg box restored to a very high standard. Back: A small post crack restored to a very high standard, almost invisible to the naked eye, by Hans Weisshaar of Los Angeles. Table: beautfully restored cracks to the lower table on the treble and bass side, a small sound post crack very well restored with a small patch. Overall the violin is a magnificent example and very much a concert instrument having been used by a concert artist for the last forty years."

Brompton's Fine Musical Instruments Auction Catalog, March 5, 2012, London, Brompton's Fine Musical Instruments Auction Catalog, March 5, 2012, London, London