Antonio Stradivari, Cremona, 1683, the 'Cipriani Potter'
Small Violin: 40658
Bearing its original label, with a printed date of 166-, but the year "83" has been superimposed by hand.
Back: One-piece quarter-sawn maple.
Top: of even grain
Scroll: Decorated
Ribs: Floral decoration made with inlaid black mastic
Varnish: Golden
Length of back: 33.9 cm
Upper bouts: 15.3 cm
Middle bouts: 10.3 cm
Lower bouts: 19.2 cm
Notes:
7/8-size. Third example of an ornamented instrument made by Stradivari.Antonio Stradivarius: His Life & Work, W. Henry, Arthur F. & Alfred E. Hill, W. Henry, Arthur F. & Alfred E. Hill, Antonio Stradivari: His Life & Work (1644-1737), London
In addition to those three: the Messiah, the Archinto, the Kux/Castlebarco, we also dated the ex-Cipriani Potter, a 1683 Strad at the Ashmolean Museum. We found the rings dated to 1594-1673, which is consistent with the label date of 1683.
Soundpost Online | Where players, makers and connoisseurs of the violin meet to exchange news, views and information, Stefan Hersh
Provenance
d'Este family | |
Cipriani Potter | |
until 1946 | W. E. Hill & Sons |
from 1946 | Ashmolean Museum, Hill Collection, University of Oxford |
Certificates & Documents
- Dendrochronology report: John C. Topham, Surrey Dating the youngest tree ring to 1677.
Certificate: W. E. Hill & Sons, London
Cozio holds copies of many certificates and other documents, some of which are available to view on request. Please contact us if you wish to view a particular document. (Note that we do not always have permission to share documents.)
References
The Strad, October, 2011, Bruce Carlson, Newsquest Specialist Media, London (illustrated)
Antonio Stradivari: l'estetica sublime, Maurizio Villa, Consorzio Liutai Antonio Stradivari, Cremona (illustrated)
- Antonio Stradivari: His Life & Work (1644-1737), W. Henry, Arthur F. & Alfred E. Hill, William E. Hill & Sons, London, 1902
Il Legno si fa Musica, le mostre della Cassa di Risparmio, Verona (illustrated)
Musical Instruments in the Ashmolean Museum: The Complete Collection, John Milnes, editor, Oxford Musical Instrument Publishing, Oxford (illustrated)
Soundpost Online | Where players, makers and connoisseurs of the violin meet to exchange news, views and information, Stefan Hersh
Stradivari Varnish: Scientific Analysis of his Finishing Technique on Selected Instruments, Brigitte Brandmair & Stefan-Peter Greiner (illustrated)
Stringed Instruments: Viols, Violins, Citterns, and Guitars in the Ashmolean Museum, Harvey S. Whistler, Ashmolean Museum, Oxford (illustrated)
The decorated instruments of Antonio Stradivari
The Hill Collection of Musical Instruments, David D. Boyden, Oxford University Press, London (illustrated)
The Jacques Français Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Smithsonian Institution, Washington, DC (illustrated)
The Stradivari Legacy, Carlo Chiesa & Duane Rosengard, Peter Biddulph, London (illustrated)
Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, NY (illustrated)
Viols, Violins and Virginals, Jennifer A. Charlton, Ashmolean Museum, Oxford (illustrated)
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