Antonio Stradivari, Cremona, 1701, the 'Servais, Chimay'


Cello: 40273

Bearing its original label, "Antonius Stradivarius Cremonensis Faciebat Anno 1701."

Back: Two-piece of narrow curl

Top: of medium pronounced grain

Ribs: of wood similar to back

Varnish: Orange-red

Length of back: 78.5 cm

Upper bouts: 34.5 cm

Middle bouts: 23.35 cm

Lower bouts: 44.35 cm

There are 26 additional images in the archive which are not available publicly. Please contact us for more information.


Notes:

"The only example which combines the grandeur of the pre-1700 instruments with the more masculine build of the master's earlier years."

Antonio Stradivarius: His Life & Work, W. Henry, Arthur F. & Alfred E. Hill, W. Henry, Arthur F. & Alfred E. Hill, Antonio Stradivari: His Life & Work (1644-1737), London


"The f-holes are particularly interesting because, aside from being well-executed, they retain traces of the master's drawings in their interior. Lines of ink, compass arcs and the corresponding prick marks allow us to analyse the development of these soundholes."

Antonius Stradivarius (Volumes I-IV), Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Antonius Stradivarius (Volumes I-IV), Cologne

Provenance

Prince Nicholas Yusupov
until 1837 Jean-Marie Raoul
1837-1841 Raoul family
from 1841 Jean-Baptiste Vuillaume
in 1857 and until 1866 Adrien-Francois Servais
... ...
1866-1885 Joseph Serais
1885-1893 Auguste Couteaux
1893-1895 W. E. Hill & Sons
1895-1913 Victor Antoine Charles de Riquet (Duc de Caraman-Chimay)
... ...
in 1919 Sold by Caressa & Français
in 1919 Jean Louis Courvoisier
in 1919 Sold by Caressa & Français
1919-1928 Ferdinand Pollain
from 1928 W. E. Hill & Sons
in 1929 Sold by Rudolph Wurlitzer Co.
1929-1981 Charlotte V. Bergen
from 1981 Smithsonian Institution Museum

Known players

Adrien-Francois Servais, Anner Bylsma

Certificates & Documents

  • Certificate: W. E. Hill & Sons, London
  • Certificate: Rudolph Wurlitzer Co., New York, NY

Cozio holds copies of many certificates and other documents, some of which are available to view on request. Please contact us if you wish to view a particular document. (Note that we do not always have permission to share documents.)

References

  • The Strad, December, 1987, Roger Hargrave, London (illustrated)
  • Antonio Stradivari: His Life & Work (1644-1737), W. Henry, Arthur F. & Alfred E. Hill, William E. Hill & Sons, London, 1902
  • Antonius Stradivarius (Volumes I-IV), Jost Thöne, Jan Röhrmann, Alessandra Barabaschi, Jost Thöne Verlag, Cologne, 2010 (illustrated)
  • Journal of the Violin Society of America, Vol. IX, No. 2, Gary Sturm, The Queens College Press, Flushing, NY (illustrated)
  • How Many Strads? (1999 edition), Doring, Bein & Fushi, Bein & Fushi, Chicago, 1999 (illustrated)
  • The Strad, September, 2004, Jerome Carrington, Newsquest Specialist Media, London (illustrated)
  • Luthier's Corner | Just another WordPress site
  • The Strad, June, 2000, John Dilworth, Orpheus, London (illustrated)
  • The Strad, December, 1987, London (illustrated)
  • Private Archives - 10072
  • Stradivari Pictures
  • The Classic Bowed Stringed Instruments from the Smithsonian Institution, Gakken Co., Tokyo (illustrated)
  • The Jacques Français Rare Violins, Inc. Photographic Archive and Business Records, 1844-1998, Smithsonian Institution, Washington, DC (illustrated)
  • Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, NY (illustrated)
  • Violons, Vuillaume, Rémy Campos, Musée de la Musique, Paris (illustrated)
  • We Love Stradivari, NHK (illustrated)

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